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Thursday, September 21, 2017

Kochi Sakura Hotel

高知さくらホテル

Located just a 5 minute walk from the main JR Kochi Station in Kochi city, the Kochi Sakura Hotel is at the bottom end of the budget business hotel price range.

Kochi Sakura Hotel.


Starting at 3,600 yen for a single, the rooms, décor and fittings of many hotels at this price are somewhat faded and worn, but here they are equivalent to a hotel thousands of yen more expensive.

The ensuite room have all the standard features: TV, phone, AC, kettle, fridge, yukata etc and the free wi-fi was a decent speed. There are laundry facilities and a Japanese restaurant on the first floor. Buffet breakfasts are available for 300 yen.

Kochi Sakura Hotel.


The hotel has some bicycles that are free to use for residents. Limited car parking is available. Credit cards are not accepted. Non-smoking rooms are available. The front desk will store your luggage for you after you checkout but not before check-in. Overall good value.

Kochi Sakura Hotel
1-3-11 Kitahinmachi
Kochi-shi, Kochi 780-0056
Tel: 0888 82 5021

Kochi Sakura Hotel, Kochi, Shikoku.


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Tuesday, September 19, 2017

Yumeji Takehisa

竹久 夢二

Yumeji Takehisa (1884-1934) was a poet and Nihonga painter, originally from Setouchi in Okayama Prefecture.

Yumeji Takehisa painting Woman in Cafe (1915).


Completely self taught, Takehisa did not attend art school and considered himself a craftsman first and an artist second.

Takehisa drew designs for magazines, books, clothing and household objects and he is considered one of the pioneers of modern graphic design in Japan.

His designs for kimono and yukata are now seen as classics of traditional Japanese styling.

Yumeji Takehisa yukata.

There are a number of museums dedicated to Yumeiji Takehisa's art including the Yumeji Art Museum (夢二郷土美術館) in Okayama, the Takehisa Yumeji Museum (竹久夢二美術館) in Tokyo, the Kanazawa Yuwaku Yumejikan Museum (金沢湯涌夢二館) in Kanazawa and the Takehisa Yumeji Ikaho Kinenkan (竹久夢二伊香保記念館) in Gunma.

Takehisa had a rather fraught private life with a wife who he divorced after only a few years together and a number of lovers, none of whom settled down with him. His wife Tamaki and two of his lovers Hikono and Oyo were considered his muses and are often the subjects of his paintings.

黄八丈 by Yumeiji Takehisa (1931).


A few years before his death, the artist spent a year on the west coast of the USA before sailing to Europe where he sketched and sought inspiration in France, Switzerland, Austria and Italy.

Takehisa died of tuberculosis at the young age of 49 and is buried in Zoshigaya Cemetery in Tokyo.



Yumeji Takehisa yukata.


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Monday, September 18, 2017

Kyoto Statues: Takayama Hikokuro and Izumo Okuni

高山彦九郎

Takayama Hikokuro (1747-1793) was a celebrated samurai of the Edo Period (1600-1868). His statue (on Sanjo, a few meters east of Kawabata) is hard to miss.

Takayama Masayuke

In 1783, on a tour to the capital, he prostrated himself at the eastern end of the Sanjo Bridge, when he saw the ruins of the Imperial Palace in the distance. After a major fire the palace had been left completely unrepaired by the weakening Tokugawa shogunate.

In anger, so a popular story goes, Hikokuro beheaded the statues of three Ashikaga shoguns at Tojiin Temple and displayed them in the dry bed of the Kamogawa River in a bold act of protest against the government.

His action raised popular support and was part of the anti-Tokugawa movement eventually led to the downfall of the shogunate less than a century later.

The imposing bronze statue of him, in the kneeling position, dating from the Meiji Period (1868-1912) is a tribute to his courage and love of Kyoto.

出雲の阿国

Facing the huge, storied façade of the Minamiza Theater from across the street, next to the river, half-hidden in a row of large trees, the statue of Izumo Okuni is easy to miss. Her impact on the Japanese cultural scene, however, is not. Izumo singlehandly created the kabuki theater from out of nothing.

She is said to have come to Kyoto from Izumo in 1603. Before coming to the capital she was a miko or a young maiden in the service of a Shinto shrine. When she arrived in Kyoto she found a lively street performance scene booming in the city: performers wore colorful clothing and played their instruments closer to the way rock stars do today than anything Japan has seen before.

Statue of Izumo no Okuni Founder of Kabuki, Kyoto

Inspired and eager to please, she soon acquired a reputation among the lower classes for her wild, often outrageous dance performances on the banks of the Kamogawa River, near the Shijo Bridge, where her statue stands today. He dance was known as the kabuki dance, and before long she had become a celebrated cultural figure throughout the nation. The kabuki theater rose out of her creative madness. Today, the only kabuki theater left in Kyoto stands across from where she first danced so wildly.

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Sunday, September 17, 2017

Japan News This Week 17 September 2017

今週の日本

Japan News.
North Korea’s Threat Pushes Japan to Reassess Its Might and Rights
New York Times

North Korea missile: How long has Japan got to defend itself?
BBC

No. of Japanese centenarians hits record 67,824 amid medical advances
The Mainichi

India starts work on bullet train line with £12bn loan from Japan
Guardian

The Dr. Seuss Museum and His Wartime Cartoons about Japan and Japanese Americans
Japan Focus

Last Week's Japan News on the JapanVisitor blog

Statistics

There were 2,495 mountaineering accidents across Japan in 2016, the second highest figure since data became available in 1961, according to the National Police Agency. A total of 319 people died or went missing while 1,133 were injured. Nearly 60 percent of the victims were in their 50s or older, according to the NPA.

Source: Japan News Today

Compared to its peers in the OECD, Japan invests very little in education. Of the 34 member states of the OECD, Japan ranked at the bottom.

In 2013, Japan ranked 32nd of 33 countries.

In the most recent survey of the proportion of public expenditures on education in GDP, Japan spent a paltry 3.2% - and ranked dead last. The OECD average was 4.4%. Denmark was highest at 6.3%.

Japanese families are expected to - and if they have the means usually do - contribute a large amount to their children's educational expenses.

Source: OECD Data

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Saturday, September 16, 2017

Okazaki Cherry Blossom Festival

岡崎お花見際

These excellent photos and video of this year's Cherry Blossom Festival at Okazaki Castle in Okazaki, Aichi Prefecture were kindly sent by Okazaki resident Joel Hadley Jr.

The festival takes place over the first 10 days or so of April when the trees are usually in full bloom.

Okazaki Cherry Blossom Festival.

There are around 800 cherry trees in Okazaki Park and the festival runs through the day and night. Many food stalls (yatai) are set up to serve the 1,000's of people who attend from all over the region.

Okazaki Cherry Blossom Festival, Aichi.

Okazaki Cherry Blossom Festival, Aichi.

Okazaki Cherry Blossom Festival, Aichi.

The nearest stations to Okazaki Park are either Higashi Okazaki or Okazaki Station on the Meitetsu Line from Meitetsu Nagoya Station.


You can see more of Joel's take on Japan on his YouTube channel.

Thursday, September 14, 2017

If Japanese Parents Got Paid for Raising their Kids

育児の「年収」

In the Japanese news, the Meiji Yasuda Life insurance company yesterday released the results of a survey carried out in July on 1,032 married-with-children Japanese people aged 20 to 59 where they were asked how much a parent should earn per year for raising a child if they were to be paid for it.

If Japanese Parents Got Paid for Raising their Kids.


38% of respondents responded with a figure between 1 and 3 million yen (approx. USD 9,000 - 27,000, at today's exchange rate) and 6% with a figure between 5 and 10 million yen (USD 45,000 - 90,000). The average "appropriate salary" given by women averaged 2.38 million yen (approx. USD 21,500), and by men, 2.36 million yen (approx. USD 21,300) - a barely significant difference - for an average of 2.37 million yen (USD 21,500).

However, while the number of women who replied "0 yen" was 3%, the number of men who gave that response was 11%. This prompted Meiji Yasuda Life's chief economist, Yuichi Kodama, to speculate that "although there has been an increase in ikumen [men who stay home and raise children], there is still a deep-rooted tendency among men to belittle the task of childrearing."

To put the "recommended average salary" of about 2.37 million yen in perspective, the average salary in Japan in 2016 (the latest figure I could find) was 4.11 million yen (approx. USD 37,000). However, most people raising children in Japan are in their late 20s or in their 30s, and, even if working in a company, would probably be earning less than, or around, 3 million yen.

The most interesting thing is how the average recommended salary given by both men and women was about the same, suggesting that, in spite of what the chief economist's concerns, men and women in Japan largely share the same view on the value of childrearing.

To illustrate this, one thing I have noticed more and more when out and about is how Japanese men are just as likely to carry children or push the pram around now as are the women. The sight of a Japanese couple with mom alone interacting with the kid(s) while dad stands apart seems on track to become as rare as the sight of old-time, stern-faced dad walking a few paces ahead of mom trailing demurely behind.

(The Japanese news article referred to here is entitled 育児の「年収」237万円? 明治安田が意識調査 and was accessed on the Nikkei news site.)

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Wednesday, September 13, 2017

Daiko Onsen Nagoya

大幸温泉

Daiko Onsen is a rare community sento in Nagoya, located in the working class neighborhood of Daiko, near Nagoya Dome, on the north side of Nagoya Dome-mae Yada Station on the Meijo Line of the city subway.

Daiko Onsen Nagoya.


Small family-run sento have largely disappeared in Nagoya, replaced by larger, out-of-town, so-called "Super Sento" - which offer bigger and more varied baths, massages, free Wifi, slot machines and even in-house restaurants.

It came as something of a shock to discover this small, somewhat ramshackle establishment, so I decided to put its healing and cleansing powers to the test as soon as possible.

Daiko Onsen Nagoya.


The changing area looks like someone's (untidy) living room circa 1970 with a fridge for soft drinks and beer, and a large ashtray surrounded by green sofas. Smoking in the male section seems obligatory.

Inside, the bathing area has a number of different baths and a small rotemburo in a tiny garden, just outside.

The sauna was an extra charge but starred two fully-tattooed and rather fat yakuza discussing their day. From what I could overhear, they had attended a funeral by car and were pleased they had saved on the shinkansen fare.

Daiko Onsen Nagoya.


A soccer-mad, half-Japanese, half-Danish lad, who was in Japan visiting family in the area, struck up a pleasant conversation, which we continued in the "lounge" over a beer before he was called home by his grandmother.

If you crave an authentic, "kicking it with the locals" Japan experience while in Nagoya, seek out Daiko Onsen before it is confined to sento history.

Daiko Onsen
3-15-6 Daiko, Higashi-ku
Nagoya-shi
Aichi-ken 461-0043
Tel: 052 721 7601

Admission is 420 yen for adults over junior high school age, 150 yen for junior high school students and 70 yen for infants.

Hours: 3.30pm to 12am with last entry at 11.30pm; closed Mondays.

As is usual, there is a coin laundry next door. Parking available for 11 cars.

If you are interested in discovering other public baths (sento) in Nagoya, the Aichi Prefecture Public Bathroom Association publishes a map of their locations (in Japanese): aichi1010.sakura.ne.jp

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Monday, September 11, 2017

The Floating Worlds of Shimabara

島原

Set in a sea of rice fields, the pleasure quarters of Shimabara (Isle of Fields) were once surrounded by a moat and wall. Women entered the west or east gates often never to reemerge, remaining within as virtual captives to provide their guests with a variety of pleasures.

The Floating Worlds of Shimabara.


In Japan, there were four such districts licensed under the watchful eye of the Tokugawa Shogunate. Unlike its counterparts in Tokyo, Osaka, and Nagasaki, however, Shimabara boasted a special class of women trained in all the traditional arts: known as tayu, their beauty and refinement were legendary, and were even said to surpass those of the geisha.

The origin of the word tayu is obscure. One theory is that the title derived from an appellation and ranking that, centuries ago, was conferred on members of the court who were accomplished in the arts.

Later, the name was bestowed on artistically-gifted commoners who entertained the aristocrats. Another theory holds that the women who eventually became tayu were daughters or wives of noble households that had fallen on hard times and had turned to artistic pursuits to support themselves. Whichever story is the real one, the fact is that tayu were accorded fifth rank status in the court's five-tiered hierarchy.

Like geisha, tayu also drink with their guests; unlike geisha, they may refuse an offer of alcohol. They can even refuse to serve a guest. This latter privilege is exercised through an ingenious ceremony called kashi no shiki.

By the light of two candles, the tayu greets her guests. Picking up an empty lacquered sake cup, she raises it so that the bottom of the shallow vessel is clearly reflected in the candlelight. She then returns it to its tray and slowly leaves the room. If the assembled guests have met her standards, she returns, but if one among them has somehow displeased her, she does not show her face again.

What happens if one guest, favored by a tayu's company, asks for more personal favors? She excuses herself from the room and dresses herself in all her finery. Her hair adorned with ornaments, her brocade obi tied in the most elaborate bow, and a heavy silk outer garment draped over her shoulders, she reenters accompanied by two hand-maidens.

In her most imposing manner, she announces that if he is willing to assume responsibility for her upkeep and all that it entails, negotiations may proceed. "Needless to say, this offer is almost always declined," Hana Ogi added with a slight smile.

Hana Ogi's costumes belong to Wachigai-ya and are on average 200 years old. Such silk weaves cannot be purchased today, nor are the hair ornaments readily available. A tayu's attire, composed of layer upon layer of gorgeous silk, and her hairdo take hours to prepare. Hana Ogi claims that although the outfit is heavy - the hair ornaments weigh about five or six kilograms and the robes about twenty-five - she is quite fast: it only takes her about an hour to get dressed. One must learn not only how to move gracefully when so clothed, but how to dance as well!

Given the arcane knowledge required of tayu, it is hardly surprising that their numbers are so scarce. "We had a newcomer, a woman from Kobe, but she only lasted about a year," Hana Ogi admitted. "Many young women want to try on the robes and hair ornaments and just look the part without undergoing the disciplines of dance and tea ceremony and so on. The sacrifices that this work requires aren't easily borne by today's young women."

Perhaps the dedication needed to pursue this life is already a thing of the past. Certainly, without an extremely wealthy patron, one could not possibly follow its prohibitively expensive dictates. Or was there another side to this world that we weren't grasping?

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Sunday, September 10, 2017

Japan News This Week 10 September 2017

今週の日本

Japan News.
Trump’s Phone Buddy in North Korea Crisis: Shinzo Abe
New York Times

Is Japan's economy bouncing back?
BBC

Japan should discuss deployment of US nukes inside country: Ishiba
The Mainichi

'Cockroaches' and 'old hags': hounding of the North Korean diaspora in Japan
Guardian

The History Problem: The Politics of War Commemoration in East Asia
Japan Focus

Last Week's Japan News on the JapanVisitor blog

Statistics

The annual Times Higher Education World University Rankings were announced. Japan did badly, again.

1. University of Oxford
2. CalTech
3. Stanford
4. University of Cambridge
5. MIT
6. Harvard
7. Princeton
8. Imperial College London
9. ETH Zurich
10. Cal Berkeley

39. University of Tokyo
91. Kyoto University

Source: The World University Rankings

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Friday, September 08, 2017

Kasagi Kyoto Prefecture

笠置町

A visit to Kasagi, the southernmost town in Kyoto Prefecture, is a journey back to Japan's ancient roots.

Those who venture to Kasagi will find it still abounds in natural splendor. Kasagi is famed for its cherry blossoms and maple leaves, and favored by campers and canoers for summer recreation.

Kasagi Kyoto Prefecture.


Canoes and equipment can be rented by the Kasagi Bridge, and, lessons are given on weekends and holidays during the summer. A public campground on the river bank is open free to the general public.

With a population of less than 1,500 people, Kasagi has a small-town atmosphere, where those seeking physical and spiritual stimulus will find relief from the big city and all its demands.

As recorded in the 14th century chronicles known as the Taiheiki, Kasagi was where Emperor Godaigo fled during civil war with the shogun and the remains of his retreat can be seen on the summit of 289 meter-high Mt. Kasagi, one of several mountains overlooking the town. A guide to the ruins and to Kasagi's other attractions, including its famous rocks, can be obtained at the Kasagi Sangyo Shinko Kaikan (Industrial Center), right next to the station.

The winding way up Mt. Kasagi offers the visitor a strenuous stroll and exceptional views of the river valley below. One of the course's first attractions is a stand of giant boulders, where devotees once came (and perhaps still do) to pray to the natural deities of these giant stones.

On one boulder, an 8th century monk from Todai-ji Temple in Nara carved a simple image of the Miroku Bosatsu on the face of a boulder. Early in the 9th century, a graceful twelve meter-high line drawing of the Kokuzo Bosatsu was carved on a second granite monolith.

Practicing monks at one time trained themselves physically and mentally by dangling each other from atop the rock; the terror this induced encouraged thoughts of their own mortality.

Because it was a site of Buddhist worship, the mountain took on a reputation as a gateway to the next world.

The path also takes one past the Yurugi-ishi, or Unstable Rock, a boulder of army-crunching potential, which was used centuries ago in a failed attempt to threaten approaching attackers, and which can still be jiggled with one hand.

Not all of Kasagi's charms are located outdoors. Visitors might enjoy viewing the historical displays on exhibit at the Sangyo Shinko Kaikan. Or, for a gastronomic treat, consider partaking of one of Kasagi’s specialties, kiji-nabe (pheasant stew) or wonderful botan-nabe (wild boar stew).

If you have time, and happen to be coming by car, a side-trip to Yagyu in neighboring Nara Prefecture will take you into the hills past tumbling waterfalls and wet cedar forests. Besides several shrines, the town's other attractions include a small museum located in what was formerly the Imperial Minister's Residence. Buses to Nara leave from Yagyu village throughout the day, but do not go to Kasagi.

Getting to Kasagi: From JR Kyoto Station, take the Nara Line Limited Express to Kizu. In Kizu, change to a local train and continue to Kamo.

In Kamo, a quick change (2 minutes) to a tiny diesel-powered train will get you to Kasagi. Total traveling time is roughly 90 minutes. For more information, call (in Japanese) the Kasagi Town Government Office Tel: 074395-2301.

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Thursday, September 07, 2017

Hiking Mt. Shakagatake Nara Japan

釈迦ヶ岳を登る

Hiking Mt. Shakagatake Nara Japan


The best hiking in Kansai is found in the mountains in southern Nara Prefecture. History, culture, and tremendous vistas draw hikers from around Japan.

The highest peak is Mt. Hyakkogatake, which is 1915 meters  (6,215 feet) above sea level.

Nearby Mt. Shaka is just shy of that, its peak exactly 1800 meters (5905 feet).

These peaks, and Misen (second highest in Kansai), are all linked by ancient mountain paths. Many of these routes were used for commerce and transport, most long since rendered obsolete by car and rail; many others however remain pilgrimage routes. 

Both Hyakkogatake and Misen are fairly tough climbs. Mt. Shaka, however, is a pleasant walk since the most popular trail head starts at roughly 1000 meters. From there, it is an easy two-hour hike to the top.

Getting to this trail head, however, is another story.

The area is full of mountains so roads are narrow and winding. From one such rural road, Route 168, you enter a service road that hugs a lake created by a dam. After 10 kilometers, which will take almost an hour in a car, you reach the end of the road - and many other cars and a public toilet. This is the starting point. 

Mt. Shakagatake
You climb a set of steps into a forest. From there it is a series of gradual climbs, a bit of up down, that will bring you to the peak.

At the peak hikers are rewarded with a panoramic view. 9 km in the distance, and a day's hike, is Misen. What is most striking after the view is the statue of Shaka, which is the Japanese way of saying Buddha (often Japanese will say "Shaka-san" or "Shaka-sama").

According to Japanese-language sources, the statue was carried to the top by a legendary climber. Masahiko Okada (aka, "Devil Masa") was 6 foot 4 inch (188 cm), 264 pound (120 kg) mountain of a man who was famed for his super human strength.

The statue was made in three sections, each of which Okada carried up, on his own in three trips, to the top of the mountain.

Getting There

Drive along Route 168 in Totsukawa, Nara Prefecture, to the Tanise suspension bridge. Cross the bridge and follow the narrow road up for about 10 km. There are several forks. Follow the signs that read 登山口.

Note: Between November and March, hikers should be wary of snow. Also, there is wildlife - deer, fox, bear, serow, tanuki, boar - so some precaution is advised, especially for those sleeping in tents.

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Wednesday, September 06, 2017

That's ZENtertainment in Asakusa

If you watched America’s Got Talent in 2015, you’re sure to remember the energy and ingenuity of the Japanese dance group Siro-A.

That Zentertainment, Asakusa, Taito-ku, Tokyo.
That Zentertainment - literally!
Their rubber-band-tight choreography fused with a blaze of cutting-edge visuals and an incredibly eclectic soundscape to wow judges and audiences all the way to the semi-finals. Their imagination-powered performances made for an unforgettably psychedelic impact as the troupe twisted, leaped, somersaulted and jived in a dazzling, full-of-surprises interaction with the lights and lasers.

Just four years before Siro-A got an award at the Edinburgh Fringe Festival, just three years before Siro-A did a  European tour, and a long-running show at the Leicester Square Theatre in London.

Siro-A clown welcomes the crowd at That's ZENtertainment. Asakusa, Tokyo, Japan.
A colorful welcome on the stage of That Zentertainment, Asakusa, Tokyo

Fast-forward to 2017, and the amazingly lithe, imaginative and fun-loving boys from Sendai are now working their on-stage sorcery - with a big dash of comedy, dance, acrobatics and traditional Japaneseness - at the Rox 1 complex in Asakusa, Tokyo.

That's ZENtertainment is a half-hour show that takes place several times a day just four minutes’ walk from the very famous Sensoji Temple in Asakusa.

My partner and I attended the 9pm show on Monday night. The venue is the Yumemachi Restaurant Theater on the 4th floor of the Rox 1 building. It’s a big, high-ceilinged space with tables that you sit around over drinks and snacks.

Scale model of old Asakusa, foyer of That's ZENtertainment, Yumemachi Restaurant Theater, Asakusa.
Model of old Asakusa, Asakusa Rokku Yumemachi Theater foyer.

Antique advertising signs, foyer of Yumemachi Theater, Asakusa, Taito, Tokyo, Japan.
Antique advertisement collection in the foyer of the That's ZENtertainment venue

The foyer has the added attraction of a huge display of authentic antique commercial signs, and scale models of the Asakusa townscape from before it was destroyed by the 1923 Tokyo Earthquake.

 The That's ZENtertainment atmosphere is laid back and fun from the word go, with a friendly clown welcoming you in, singing me a snatch of a Maori song when he learned I was from New Zealand(!), taking our photo (cleverly incorporated later into the show) and making us feel very welcome and excited about what was to come.

Siro-A recreate Tokyo 2020 Olympics symbol at That's ZENtertainment. Asakusa, Tokyo.
Tokyo 2020 Olympics skit at That's ZENtertainment
The show did not let us down. The dancing was dynamic, the visuals were spectacular, and the tricks played using sound and light were often jawdropping. Then the pace - the pace! We were on a rollercoaster being whizzed us through the kaleidoscope of color, dance and sound at gleeful speed, and we didn’t want it to stop.

As much as we (50+-year-old men) enjoyed it, it was a bit of a shame that there were no kids there that evening to appreciate the show, because the performance is a dream come true for under-18s brought up on electronic games and gadgets. Family entertainment extraordinaire!

Fun with traditional-style Japanese paper parasols at That Zentertainment, Yumemachi theater, Asakusa, Tokyo, Japan.
Parasol spectacle at That's ZENtertainment

But the icing on the That's ZENtertainment cake, or, should I say, the flavor of the cake itself, is deliciously and traditionally Japanese. Much of the show’s appeal is how it blends complete mastery of the latest digital technology with a relaxed and thoroughgoing familiarity with age-old Japanese culture. There’s even a bit of a kanji class woven into the fun - but in a way that’s a million memorable miles from chalk dust and textbooks.

The amount of entertainment value packed into that half-hour is breathtaking. For 1,999 yen, including a drink, it was cheap at half the price.

Siro-A dances with photos of the writer at That Zentertainment, Asakusa, Tokyo.
That's me! That Zentertainment!

That's ZENtertainment
is a must-do if you’re in Asakusa (which, if you’re visiting Tokyo, you’re almost sure to be). With up to six shows a day, it’s easy to slot That's ZENtertainment into any schedule. If the Asakusa of temples, shrines, souvenirs, rickshaws and genteel old restaurants ever needed an extra dash of quintessentially 21st-century fun and color, That's ZENtertainment is it!

Curtain at That Zentertainment, Yumemachi Gekijo Theater, Asakusa, Taito-ku, Tokyo.
The curtain fall on a fabulous show - That Zentertainment

That's ZENtertainment
Yumemachi Gekijo Restaurant Theater
Rox 1 Building, 4th floor,
1-25-15 Asakusa, Taito-ku, Tokyo
That's ZENtertainment website


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Monday, September 04, 2017

Maple Sky Tour Bus Hiroshima

The Maple Sky open double-decker tour bus takes 90 minutes to visit most of the major tourist attractions in Hiroshima, including Hiroshima Castle, the Atomic Bomb Dome, Peace Park, Mazda Stadium and includes views of the islands and sea.

Maple Sky Tour Bus Hiroshima


The cost of the Maple Sky bus is 2,000 yen for adults and 1,000 yen for kids under 12. A free audio guide in either English, Chinese or Korean is available.

For the same price a second course includes a walking tour of the Peace Park and misses the sea views, but takes two hours.

The Maple Sky Tour Bus runs throughout the year on Fridays, Saturdays, Sundays, National Holidays, Golden Week and through the summer vacation.

The bus departs from the Shinkansen gate on the north side of Hiroshima Station at 10.10am.

An afternoon departure at 1.10pm does not operate in winter, and an evening departure at 7.10pm operates only in the summer.

In the winter a special evening service operates to view Hiroshima Dreamination, the city's illumination event.

For more information see the official website: www.chugoku-jrbus.co.jp/teikan/meipurusky

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Sunday, September 03, 2017

Japan News This Week 3 September 2017

今週の日本

Japan News.
A Pacifist Japan Starts to Embrace the Military
New York Times

North Korea: A brief history of pacifism in Japan
BBC

In Photos: A-bomb survivor Sumiteru Taniguchi dies of cancer at 88
The Mainichi

Japanese minister Taro Aso praises Hitler, saying he had 'right motives'
Guardian

Japan’s New Conspiracy Law Expands Police Power
Japan Focus

Last Week's Japan News on the JapanVisitor blog

Statistics

September 1 in Japan is Fire Prevention Day. It is a reminder of the events that took place on this date in 1923. 94 years ago, at 11:58 am - just as Tokyoites were lighting their fires to prepare lunch - an earthquake measuring 7.9 on the Richter Scale struck. 105,000 people died or were never found again. Because of resulting fires, thousands were boiled alive in the Sumida River, into which they had fled.

If a similar earthquake were to occur today, what would the likely damage be? Were an earthquake measuring 7.3 to strike under the capital today, damage estimates are:

23,000 dead
123,000 wounded
610,000 buildings destroyed
8,000,000 struggle to return to their home
86.2 trillion dollars in damages to the Japanese economy

Source: Asahi Shinbun, August 30, 2017, page 7

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Saturday, September 02, 2017

Takehei Shoten Japan's Bamboo Specialist

竹平

In operation for over 100 years, and now in their 4th generation, Takehei Shoten is known by many as Japan's bamboo specialist.

Takehei Shoten Japan's Bamboo Specialist.

Within their cavernous warehouse, they stock about 100 different kinds of specialty bamboo, ranging from the standard to the very exotic. The age-old expertise that Takehei has built up over 100 years is sought out by bamboo artisans, architects, traditional musicians, designers, and antique dealers from all over the country.

Takehei also exports bamboo materials overseas (mainly to antique dealers, interior decorators, landscaping specialists and architects). As the fastest growing plant in the world (1.2 meters in 12 hours), bamboo is a remarkable material that remains the preference for many of Japan’s traditional designs and utensils.

Their curved window frames (for a Japanese home or tea ceremony room) are just one of Takehei's many unique products. (There are only about 4 or 5 artisans left in Japan that can make frames of this high quality and intricacy.)

Takehei is located on the west side of Omiya, north of Gojo. Open from 9:00 to 18:00, except on Sundays and public holidays.

Takehei
403 Omiya-gojo, Shimogyo-ku
Kyoto 600-8377
Tel: 075 841 3803

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